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He comes to her and looks over her shoulder at the paper she holds. In an ugly unformed hand the following figures and words are written upon it,—,

"You will come first and see Philippa?" she says, in a slow peculiar tone that sounds as if it had been dug up and is quite an antique in its own way. It savors of dust and feudal days. Every one says he or she will be delighted, and all try to look as if the entire hope of their existence is centred in the thought that they shall soon lay longing eyes on Philippa,—whose name in reality is Anne, but who has been rechristened by her enterprising sister. Anne is all very well for everyday life, or for Bluebeard's sister-in-law; but Philippa is art of the very highest description. So Philippa she is, poor soul, whether she likes it or not.,

But yet there were those who did not acknowledge the new-comer, in spite of his wealth and the romantic story attaching to him, and the possibility that he might yet be proved to be the rightful baronet and the possessor of all the goodly lands that spread for miles around. Of these the Duchess of Lauderdale was one; but then she was always slow to acknowledge new blood, or people unhappy enough to have a history. And Lady Lilias Eaton was another; but she was a young and earnest disciple of æstheticism, and gave little thought to anything save Gothic windows, lilies, and unleavened bread. There were also many of the older families who looked askance upon Paul Rodney, or looked through him, when brought into contact with him, in defiance of Sir Nicholas's support, which perhaps was given to this undesirable cousin more in pride than generosity.,

"Then why did you choose that song?"

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"A great deal. I should. I have heard of almost nothing else since my arrival in England," replies he, slowly.,

"What is it you would say?" exclaims Mona, threatingly, turning towards him a lovely face she vainly tries to clothe with anger.,

"Well, Jack is home by this time, I suppose,—that's my second brother; at least he was expected yesterday; and Violet Mansergh is very often there; and as a rule, you know, there is always somebody; and that's all.",

When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered.